![]() ![]() ![]() While the city’s most celebrated artists-Armstrong, Prima, Toussaint, Longhair, Irma Thomas, Dr. Many of New Orleans’ landmark artists have also picked their personal favorite local songs. Each entry has a capsule history that sheds new light on these classic songs, including fresh interviews with the artists as well as nuggets from OffBeat ’s extensive archive. The 300 entries (and then some) stretch chronologically from “Bamboula” (Louis Moreau Gottschalk, 1848) to “Justice” (Dumpstaphunk, 2017), and include everything in between: early jazz and its offshoots, the advent of blues and the rock ‘n’ roll it spawned the ‘60s heyday of New Orleans rhythm and blues and the birth of funk later that decade.Īll the riches of the city’s current scene-brass bands, bounce, modern jazz, rock and funk, singer-songwriters-are represented as well. ![]() In its first book, OffBeat Magazine’s 300 Songs for 300 Years lists and explains why and how these songs shaped the city’s musical history and changed the face of American music. From “Down by the Riverside” to “Hey Pocky Way” and beyond, New Orleans has a long history of iconic songs. ![]()
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5/31/2023 0 Comments The velvet rage![]() ![]() I remember all those beautiful masculine faces that grace the walls of my memory. ![]() Next year I will cross the half-century mark, and my mind wanders back through all those winding corridors of years in San Francisco, New Orleans, Key West, and New York. Good friends, work that I love and am passionate about, and-not the least-I am alive. As the noon sun is peaking just overhead now, my heart is full of gratitude, for I've been so lucky in life. I'm sitting on the patio in front of the weather-worn, shingle-clad cottage that my good friend, Randy, has rented for the summer in Provincetown, Massachusetts, where every summer evening he gives an entertainingly realistic performance as Cher to eager sun-drenched and alcohol-infused crowds. ![]() It's now late August and another summer is quickly slipping away. ![]() ![]() ![]() Finney analyzes not just the omission of black Americans from environmental movements but also the rejection by mass culture of black Americans’ connection to the outdoors. Carolyn Finney explores this erasure in her book Black Faces, White Spaces: Reimagining the Relationship of African Americans to the Great Outdoors. From writings to schools, from histories of the land to the land itself, people of color are regularly denied access to public spaces, and roles within particular places.ĭr. Even some plantation tours of the antebellum mansions of the American South omit the names and images of black people from their narratives. ![]() Nor are black Americans considered as faces of environmental movements: most people know the names of John Muir, Henry David Thoreau, and Rachel Carson, but few have heard of John Francis, among other African-American naturalists. Black Americans are rarely represented in media about outdoor recreation-except, perhaps, as workers. There is a perception in the United States that African-Americans lack a relationship with the great outdoors. ![]() |